The Endless Spiral

Betsabeé Romero

August 15, 2025 to September 14, 2025

Fri-Sun (10:00 AM to 7:00 PM)

Museum of Latin American Art



The exhibition starts with the immersive installation Breaking the Perverse Frontiers of the Mirror, where concave safety mirrors that completely cover the room, observe and disturb the reflected image. Mapped and manipulated mirrors that accumulate physical and symbolic fractures. The work Fractured Footprints explores the suffering that borders cause: imposed lines that oppose necessity, survival, and understanding, scars that last a lifetime. The installation Memories of a Moving Totem introduces the visitor to the idea of mobility and the symbology of memory instruments, using cylindrical seals that have printed history in all cultures of Humanity. In Families Divided by Sharp Borders, the artist questions the concept and experiences of migration in history and highlights how a community can contribute to dismantling its horrors and injustices. Upon arriving at the installation The Shadow of the House Was Also Broken, we see the artist reflect on culture as the home that lives inside us; a refuge that has survived in the shadow of all powers.


Finally, Dreaming of a Sunrise with Feathers in the Endless Spiral the artist creates a collective and ritualistic space, united by forces of nature, where all can enter and think of the past, present and future of society.


Betsabeé Romero is an artist who has had the opportunity to live and create in different countries, cultures, and contexts, bringing new experiences and perspectives to the examination of essential and urgent topics of our time. In a multidisciplinary manner, the artist creates her works with a strong awareness of migration, gender roles, cultural traditions, religion, and individual and collective memory. Her will, which is also a method, of transgressing the boundaries of different established categories, of making injustice visible in a convoluted world, is redefined as a communal commitment through a dialogue between art, social justice, memory and heritage, all interacting for the common good.



Fractured Footprints, 2024

A spiral of small, carved wooden shoe forms or lasts. The spiral starts with lighter-colored shoes at the center and gradually transitions to a darker, richer tone at the outer edge. The way the forms are arranged suggests a sense of movement or a path, drawing the viewer’s eye inward and then outward.

Since 2023, 85% of the population of the Gaza Strip has been displaced from its territory. Currently the deaths reach 30,631 of which 2,360 are children.

“My saddest moment was when I didn’t know what I was…getting lost in a new land.
My identity fractured, I carried the weight of a past I could no longer return to
and a future I was still searching for.”

Migrants who died or disappeared on the sea route to Spain from 2019 to 2021 had a drastic increase of 45%, going from 474 to 2,170.



GoKart wheels hand-engraved and painted with gold leaf, lace banners printed with silkscreen/Llantas de GoKart grabadas a mano y pintadas con hoja de oro, pendones de encaje impreso con serigrafía



Variable dimensions / Dimensiones variables Families and signs made of tin cutouts with silkscreen and hand-painting / Familias y señalizaciones de recortes en hojalata con serigrafía y pintura a mano

Courtesy of the artist, artwork commissioned by MOLAA / Cortesía de la artista, obra comisionada por MOLAA




Variable dimensions / Dimensiones variables


2-color confetti folders, with silkscreen and painting on the wall / Carpetas de papel picado de 2 colores, con serigrafía y pintura sobre muro

Betsabeé Romero is a poignant installation that uses traditional Mexican papel picado to explore themes of displacement and fractured memory. Created with two-color confetti folders that are silkscreened and installed directly onto a wall, the artwork forms the ghostly, fragmented outline of a house. The title, “The shadow of the house was also broken,” suggests that the loss of a physical home is accompanied by the breaking of its very essence and memory, leaving behind a beautiful but fragile reminder of what was lost.


This isn’t nostalgia—it’s reinvention. Each piece invites you to question progress, beauty, and the tension between craft and machine.


Romero’s vibrant suspended sculpture features a serpentine form crafted from colorful paper elements in warm yellows, oranges, and pinks, creating a dynamic spiral that flows through the gallery space as part of the exhibition.

Betsabeé Romero’s artistic practice spans multiple countries and cultures, enriching her exploration of contemporary critical issues through diverse lived experiences. Working across disciplines, she addresses migration, gender dynamics, cultural heritage, spirituality, and both personal and collective memory with acute social consciousness.

Her transgressive approach deliberately blurs categorical boundaries to expose systemic inequities, transforming individual artistic expression into collective advocacy. Through the intersection of art, social justice, memory, and cultural preservation, her work functions as a communal commitment to the greater good.

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